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Miguel Rodriguez Casellas
The studio ‘Dirty talks’/an (e)Sc(h)atological Museum of Architecture asks a very specific question to the class: if you were told to save the culturally subjective dimension of architecture, as an aesthetic experience, autonomous from practicality, (1) what would you anthologise, (2) how would you display the endangered species of architecture in a convoluted present that hints at no-future, the end-of-times? This is a studio about architecture in its most autonomous yet inclusive interpretation. It plays with the duality of (e)sc(h)atology, which depending on the spelling employed, could mean “the end of ordinary reality”, the blunt handling of excrement or—in a more conceptual interpretation—the handling of “cultural debris”. The entire cohort will produce one single building, a museum of architecture, in the old Middle Head military reserve, applying an (e)sc(h)atological logic to the remains of war, fear and hope, represented in the abandoned bunkers, barracks, the operating workshops, the wedding/events parlours, the nudist beaches (Cobblers and Obelisk), and the furtive cruising trails.