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Inserting grand domestic interiors and hybridising private and public spheres within the pub, architectural warfare will create unsolicited narratives as a means for conflict revival. Contrary to the modern typology of the pub, this new spatial experiment is neither leisurely nor discriminatory and is centralised around mandated participatory exposure, working as a dynamic machine. Designed to provoke new methods of production that each person experiences equally, this typology will be a distribution of congregational pavilions, streets and domestic units that obstruct Newtown Tram Depot in which post-millennials will inhabit. Distinctively contributing to the public realm, each domestic interior will have a specific program in which is pivotal to the operation of its civic sphere.
