EOYS UTS School of Architecture

This is the 2020 online End of the Year Show (EOYS) of the School of Architecture at UTS, UTS FOUND HERE / MAIL / NEWSLETTER

Instagram

LIVE NOW: 2020 UTS School of Architecture End of Y

LIVE NOW: 2020 UTS School of Architecture End of Year Show

Join us now in celebrating the work of students from the School of Architecture.
You can take a virtual tour of over 200 projects from our students across all three disciplines:
· Architecture
· Landscape Architecture
· Interior Architecture

Event Details
Date: LAUNCHED TODAY! (19th NOVEMBER)
Time: NOW LIVE!
Where: utsschoolofarchitecture.com/ (link via bio)

Our online end of year show is coming... keep an e

Our online end of year show is coming... keep an eye out for more information 👀 thanks @numamerino for the amazing website! Thanks #nswarchitectsregistrationboard for the support

Please, join us to the digital Reviews of the Caps

Please, join us to the digital Reviews of the Capstone Studio at UTS on the 9th of November! See all Zoom links and times via our link in bio.

Our Capstone students have designed a “Post-labour University” to trigger responses on the spatial and systemic implications of removing work and/or the skills associated with it as the protagonists of the project of knowledge. This experiment is sited in Barangaroo Central, one of the most symbolic and contested urban scenarios of the city. An external jury will select the winner of the best Capstone project award 2020 sponsored by Billard Leece Partnership The result of the competition will be announced on Monday the 9th at 1 pm. @billardleece.

GOOD LUCK AND CONGRATULATIONS to all students and thank you to all the fantastic educators and technical consultants that made the subject possible!

Coordinators: Amaia Sánchez-Velasco and Miguel Rodríguez-Casellas @amaia.sanchezvelasco & @rodriguezcasellas

Tutors: Maria Cano Dominguez & Cameron Deynzer, Eleanor Peres, Charlie Curtin & Miguel Gilarte, Grace Dwyer & Tova Lubinsky, Ines Benavente Molina, Chris Raddatz & Jack Cooper, Lindsay Mulligan & Isaac Harrisson, Eduard Fernandez, and Marina Goncalves. @maribel.cd & @cameron.deynzer, @saucingrocks , @charles_curtin & @miguelgilarte, @graceldwyer & @tovalubinsky, Ines Benavente Molina, @chris.raddatz & @jakcoooper, @lindsay_mulligan & @zharrisson, @eduard.fdez , and @marina___goncalves.

Technical injection Lecturers: Ass.Prof. Leena Thomas and Dave Pigram @leena.e.thomas & @davepigram

Please, join us for the final jury of DOMESTICITY

Please, join us for the final jury of DOMESTICITY POST-WORK, an anti-think-tank structured around five pedagogical units that engage with a project of radical imagination at the convergence of (and in alliance with) decolonial, post-anthropocentric, feminist and queering epistemologies. DOMESTICITY POST-WORK is a provocation to trigger responses on the spatial and systemic implications of removing work from the epicentre of life. The domestic realm –previously understood as a space of restoration, and now forced to connect to a global network of remote hyper-productivity– is the space of experimentation in which to rehearse the new rituals, habits, and modes of engagement with the world; the political arena for a post-work society.

Negotiation and cooperation are not only concepts theoretically interrogated by the brief, but also a methodological tour-de-force implicit in the production of a single collective outcome per pedagogical unit.

Coordinated by Jorge Valiente Oriol @jorge.valienteoriol

Infinite thanks to all students and to the incredible team of educators behind this pedagogical experiment: Miguel Rodriguez-Casellas, Gonzalo Valiente, Grace Dwyer, Laura Touman, Maribel Cano Dominguez, Vina Purwantoro and Charles Curtin.

@rodriguezcasellas @valiente1672 @graceldwyer @laura2man @maribel.cd @charles_curtin @vinaurellia

We are all looking forward to welcoming our fantastic international panel formed by Amaia Sanchez-Velasco, Francesca Hughes, Ivan Lopez Munuera, Miguel Mesa del Castillo, Cristina Goberna, Azzurra Muzzonigro, Leandro Cappetto, Veronica Frances, Nahuel Quiroga, Andrea Muniain and Sammy Nazam.

@amaia.sanchezvelasco @francesca_hughes @ivanlmunuera @ivanlmunuera @cristinagobernapesudo @azzzmuzzz @grupotoma @andreamuniain @sammy__nazam

Presentations will start at 8:30 am (Sydney time) on Friday 6 November in the ZOOM ID 919 8495 2210.

Join us live for #UTSarchitecture #masterstudios #

Join us live for #UTSarchitecture #masterstudios #finalreviews #Spring2020 this Friday 6th of November. 🎉

Find the schedule in our website with the zoom links in the Bio. Enjoy the live feed of juries, conversations and controversies of the studios #SuperRoof by David Pigram @supermanoeuvre and Dane Voorderhake, #Apocalypsenow by Deborah Ascher Barnstone @deborahbarnstone,
#GrandCentral by Emma Letizia Jones @e_lettice,
@citiesundersurveillance by Endriana Audisho @endriana and Tova Lubinsky @tovalubinsky, #Anarchitectureofrelationality by Gerard Reinmuth @gerardreinmuth and Andrew Benjamin @andrewbenjamin9794, #WINGARA’BA’NYA by Jo Kinniburgh @jo.kinni and Shannon Foster @shannon_foster444, #Dirtytalks’2 by Miguel Rodríguez-Casellas @rodriguezcasellas, and #Urbanvariationthroughevolutionarycomputation by Mohammed Makki @wallacei.x @mssm.associates

Don’t miss it!

Today we will review the design projects of second

Today we will review the design projects of second year architecture! All welcome to join (majority of tutorials starting at 2pm)- Zoom links (with times) + Tutorial websites accessed via our link. Good luck second years!
.
Studio 04’s final review will schizophrenically move between student design projects and the collective studio deliverables of a virtual showroom, artifact and publication (all exhibited through a tutorial website). The brief asked students to design student housing on the TAFE Marcus Clark site. Each studio leader has defined a research question or thematic as a lens to design through. Design projects will be displayed within each tutorial and each tutorial will be ‘on show’ through a fair format. A fair is traditionally defined as a public event where goods from a particular industry are advertised and sold. Studio 04 is hacking this format, which usually caters for a capitalist logic, to showcase and disseminate ideas as opposed to the sale of goods. The fair will display alternative forms of living that challenge past and current student housing developments. 10 distinct showrooms (via websites) come together to formulate a ‘Housing Students’ domestic fair to explore the question; what does it mean to house a student today?
.
ENDRIANA AUDISHO [COORDINATOR] @endriana
W /
CHARLIE CHANNON [THE LEGACY OF GEN Z] @charliechannon
JACK COOPER [SOCIAL STUDENT HOUSING] @jakcoooper
ISAAC HARRISSON [COLLECTIVITY TOWARDS A ROOM OF ONE’S OWN] @zharrisson
TOVA LUBINSKY [A SEAT AT THE TABLE] @tovalubinsky
JOSHUA LYNCH [SEPARATION ANXIETY] @joshuadavidlynch
LINDA MATTHEWS [LE CORBUSIER’S DIGITAL TWIN]
BEATRICE MYATT [IN SICKNESS OR IN HEALTH] @beatricemyatt
GAVIN PERIN [CLOISTERS AND C/SELLS] @gavinperin
JENNA ROWE [MITIGATING LONELINESS + SOCIAL INCLUSION] @jenna_rowe
ANNA TONKIN [SOFT EFFICIENCIES] @annatonkin
.
📸 by @softefficiencies
.
#StudentHousing #Domestic #Speculation #Scale #Type #Context

You are invited to Architecture as Rendered Socie

You are invited to Architecture as Rendered Society - Andrés Jaque - a Webinar-based Public Lecture this Tuesday 3rd Nov from 6.30pm (AEST). This is the 9th Public Lecture in the UTS School of Architecture Spring 2020 Public Lecture Series. Registration link via our bio.

Architecture as Rendered Society
Architecture is never constrained to the scale at which we might first perceive it. It is in buildings’ imbrication with other entities (environments, infrastructures, financial plans, policies, biological designs, advocacies, and activism), in their transition across scales (climatic, material, technological, spatial, and temporal), and in their articulation of larger reality-making apparatuses (plans, discourses, ideas, calculations, regulations, genetics) that their political participation can be tracked and intervened in as they play their role in enacting our shared realities. Architecture’s agency is embedded in its capacity to exceed scale-containment.

Biography
Andrés Jaque is an architect, writer, and curator. He is the founder of the Office for Political Innovation, a New York/Madrid-based agency working at the intersection of research, critical environmental practices, and design. In 2016 he received the 10th Frederick Kiesler Prize celebrating trajectories in the intersection of art and architecture. He was also awarded Silver Lion for Best Research Project at the 2014 Venice Architecture Biennale, as well as the Dionisio Hernández-Gil Prize. In 2018 he co-curated Manifesta 12 in Palermo, titled The Planetary Garden. Cultivating Coexistence, which inquired into the ecological, technological, and political role Palermo has played, He is the Chief Curator of the upcoming 13th Shanghai Biennale, titled Bodies of Water.

Image: Colegio Reggio, Andrés Jaque, Office for Political Innovation

Paradise is a new online journal for Australian ar

Paradise is a new online journal for Australian architecture and research run by students of the UTS School of Architecture. Paradise is about Australia, the lucky country at the end of the world. It is a space for the unexpected and the emerging, the established academic and the bright-eyed underdog. It is both completely serious and totally naive. Paradise welcomes the discomfort of the agonistic multitude, the itchy immaterial condition of adjacency.

Paradise is seeking contributions for the inaugural theme of the Backyard.

"Through the fence palings what do you see? A well tended garden. A wild lawn. A glistening pool of water edged in blue tiles. Beyond our fence, a private party makes their way through a case of XXXX Gold. On the other side, the neighbour’s unwashed car sits atop a slab of sunbaked concrete. The faint sound of a sitar floats through on the wind from a few doors down. Through the back fence, only dust as far as the eye can see.

Good fences make good neighbours. You can tell a lot about a person by what their fence encloses, the privacy it protects. The beauty of a fence lies in its unassailable authority. Do what you want, just not in my Backyard. We claimed this patch of dirt with imaginary lines drawn with imported ink. We possessed this piece of Country by staking it out in timber posts.

The flames stopped right at our back fence. We are so lucky. This is our little piece of Paradise.

.

Paradise is generously supported by CreateNSW. All forms and formats of research are welcome - written or otherwise, built or intangible, discursive or poetic - so long as they are hostable online. Proposed contributions will be evaluated by the editorial board on the basis of 300 word abstract. The abstract should contain an indication of the content, length and format of the contribution, and include any relevant images or visuals. Abstracts should be sent as a .pdf to hello@paradise-journal.com.au, and include author’s name, professional/academic affiliation, email address, and contact number. Submissions close December 5, 2020.

@paradise.jrnl

Delve deep into the world of multi-criteria and co

Delve deep into the world of multi-criteria and complex design problem solving and explore the parametric approaches that drive environmentally and structurally sound architectural solutions.

The course will be hands-on, using a design exercise for an architectural canopy to explore the methods and systems that drive multi-criteria design approaches.

Course Name:
Advanced Digital Tools for Architectural Design and Structural Optimisation

Course Instructors:
Dr. Mohammed Makki @m_a_k_k_i
David Pigram @davepigram

Course Dates:
7th, 8th and 14th November 2020

Course Duration:
3 days

Course Award:
3 Credit Points

----

University of Technology Sydney’s School of Architecture is running a series of Micro-credentialed short courses in Advanced Digital Tools in Architecture and Design. Each course offers 3-Credit Points and will equip participants with knowledge and expertise in innovative and emerging digital tools.

Participants will gain relevant skills in the application of these tools within the design field allowing for their use in various parts of industry-based projects.

Visit open.uts.edu.au to learn more and to register for the course. Please note that all courses will be held face to face and on campus. Due to Covid-19 social distancing restrictions, seats are very limited – hurry up and register now!

#architecture #Design #shortcourses #Sydney #microcredential #Optimisation #Wallacei #Karamba #Ladybug #Canopy #StructuralAnalysis

Imaging software and video, when combined with urb

Imaging software and video, when combined with urban metadata, has the potential to deliver ground-breaking technical innovations for urban design. Created for urban planners, designers, architects, and landscape architects, this interdisciplinary course shows students how to combine new technologies to make sense of qualitative urban data, and apply it in design.

Course Name:
Urban Analytics and Digital Representation

Course Instructor:
Dr. Linda Matthews

Course Dates:
7th, 8th and 14th November 2020

Course Duration:
3 days

Course Award:
3 Credit Points

----

University of Technology Sydney’s School of Architecture is running a series of Micro-credentialed short courses in Advanced Digital Tools in Architecture and Design. Each course offers 3-Credit Points and will equip participants with knowledge and expertise in innovative and emerging digital tools. Participants will gain relevant skills in the application of these tools within the design field allowing for their use in various parts of industry-based projects.

Visit open.uts.edu.au to learn more and to register for the course. Please note that all courses will be held face to face and on campus. Due to Covid-19 social distancing restrictions, seats are very limited – hurry up and register now!

#architecture #Design #shortcourses #Sydney #microcredential #Urban #City #UrbanDesign
#CityDesign #Analytics #Imaging #Data

Consumer-level UAVs (drones) are now ubiquitous in

Consumer-level UAVs (drones) are now ubiquitous in society and the construction industry, but in Australia, their potential remains largely untapped. This course will provide a practical demonstration of how small, consumer-level UAVs can be integrated into various aspects of architectural and landscape architecture office practice.

Course Name:
Introduction to Drones for Built Environment Professionals

Course Instructor:
James Melsom @melsjames

Course Dates:
7th, 8th and 14th November 2020

Course Duration:
3 days

Course Award:
3 Credit Points

----

University of Technology Sydney’s School of Architecture is running a series of Micro-credentialed short courses in Advanced Digital Tools in Architecture and Design. Each course offers 3-Credit Points and will equip participants with knowledge and expertise in innovative and emerging digital tools. Participants will gain relevant skills in the application of these tools within the design field allowing for their use in various parts of industry-based projects.

Visit OPEN.UTS.EDU.AU to learn more and to register for the course. Please note that all courses will be held face to face and on campus. Due to Covid-19 social distancing restrictions, seats are very limited – hurry up and register now!

#architecture #Design #shortcourses #Sydney #microcredential #Drones #UAV #Landscape
#landscapearchitecture

You are invited to Other Things Visible on Paper

You are invited to Other Things Visible on Paper - Sarah Hearne - a Webinar-based Public Lecture this Thursday 29th Oct at 6.30pm AEST. This is the 8th Public Lecture in the UTS School of Architecture Spring 2020 Public Lecture Series. Zoom registration link via bio.

Other Things Visible on Paper
This lecture examines the ways in which the pedagogical milieu of the 1960s in the U.S., structured value in architecture by establishing distinctions between copyists and technicians on the one hand, and authors and conceptual designers on the other. Despite the apparent oppositions inferred by these pairings, these terms were bound up in a definition of technology that remained rooted in the mechanization of heavy industry. The focus obscured the growing number of unimposing yet specially designed items of everyday practice supplied to architects that were equally intrinsic to the rationalization of practice. These supplies—inks, pens, papers, films, erasers, lead cartridges, and tapes—were what I call “machines on the desk.” Despite the various ways in which manufacturers invested in ideas of diversification and innovation, precision, and systematization, these items were not widely understood as technological objects. It was precisely the fact that they did not appear to be technological, however, that enabled them, under the neutral guise of supplies, to operate as important yet invisible actors in the structuring of architectural authors in the studio—students who became authors exactly because of their ability to operate these 'machines'.

Biography
Sarah Hearne a curator and educator of architectural history and theory. Her curatorial work includes an exhibition and symposium on information management and display in contemporary architectural research, titled Fieldwork (2015) at the University of Technology Gallery in Sydney, where she was a History and Theory lecturer. She has also worked on curatorial projects including Everything Loose Will Land (MAK Center, 2013) and more recently as an Associate Curator on The Duck and the Document (Sci-Arc Gallery, 2017) and Architecture Itself and Other Myths of Postmodernism (Canadian Centre for Architecture, 2018).

The Contemporary is always over is hosting Charlot

The Contemporary is always over is hosting Charlotte Malterre-Barthes on Wednesday 21st October ‪at 18:30pm (AEST) ‬for their informal talk series: Maybe there is architecture after ambiguity...?
- Join us! Zoom link via our bio...

You are invited to Proving Grounds and Instrumenta

You are invited to Proving Grounds and Instrumental Architecture - Smout Allen - a Webinar-based Public Lecture next Thursday 22nd of October from 6.30pm (AEST). This is the 7th Public Lecture in the UTS School of Architecture Spring 2020 Public Lecture Series. Registration link through our bio.
.
Smout Allen will present their iconoclastic work, through “speculative architecture and architectural instruments that explore borders, tectonics, cartography and ecology to document and expose intersections between nature and the manmade”.

Biography
Mark Smout and Laura Allen jointly run the design research practice, Smout Allen, where they explore the intersections and interactions of landscape, architecture, art, and science.
They have been selected for both Venice Biennale (2012 and 2016) and Chicago Biennale (2015). In 2005, they won the Summer Exhibition Award for Architecture at the Royal Academy of Arts. They have successfully carried out collaborations with international individuals and institutions such as the University of Southern California Libraries, Williams F1 Advanced Engineering, the Centre for Land Use Interpretation (CLUI), Los Angeles, the British Council and the Land Art Archive, Nevada. Since 2010 they have regularly worked in collaboration with Geoff Manaugh, developing projects including L.A.T.B.D. for the Chicago Biennial and University of Southern California, and the “British Exploratory Land Archive”.
They are both Professors at The Bartlett School of Architecture, UCL, where they run MArch Unit 11 and are Co-Directors of the Landscape Architecture Programmes.

Image Credit: “L.A. Recalculated at the Chicago Architecture Biennial, 2015, with Geoff Manaugh”

Master of Architecture students have been explorin

Master of Architecture students have been exploring Advocacy as a Project. As emerging voices in the discipline students will present their advocacy proposals - what is their contemporary topic of advocacy? What are the tools needed to facilitate this project and what are the means of distribution? Join us for their PechaKucha presentations tomorrow, Thursday 15th of Oct, from 9AM (AEST). Zoom link via our bio 🤩 Good luck to all the students
.
Coordinators: Brooke Jackson & Endriana Audisho
Tutors: Tova Lubinsky & Amaia Sanchez-Velasco

The Contemporary is always over is hosting Ambra F

The Contemporary is always over is hosting Ambra Fabi (PIOVENEFABI) tomorrow, Wednesday 14th of Oct at 7pm (AEST) for their informal talk series: Maybe there is architecture after ambiguity...?
- Join us! Zoom link via our bio...

You are invited to Hunter gatherer. How FIG Projec

You are invited to Hunter gatherer. How FIG Projects wander the land of architecture online. - Fabrizio Gallanti - a Webinar-based Public Lecture this Thursday 15th Oct from 6.30pm (AEST). This is the 6th Public Lecture in the UTS School of Architecture Spring 2020 Public Lecture Series. Register through the zoom link via our bio.
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Hunter gatherer. How FIG Projects wander the land of architecture online.
FIG Projects, founded by Fabrizio Gallanti and Francisca Insulza in 2003, is a research studio, based in Montréal, that writes, studies, curates and designs. Since 2014, it scavenges the deep recesses of archives, popular culture depositories, personal blogs, memories, whether analog or digital, to then regurgitate predigested content to an expanding audience of "friends on Facebook". Architecture is the main field of interest, but curiosity brings us to many other places. The only rule of play, is to find the stuff we like and suggest others to try it too.
.
Fabrizio Gallanti is a curator and architect with experience in architectural design, education, publication and exhibitions. In the fall of 2020 he will start as director of arc en rêve in Bordeaux. He holds a PhD in architectural design from the Politecnico di Torino (2001) and has taught in Canada, Chile, Hong Kong, Italy, the United Kingdom and the United States. He was the first Senior Mellon Fellow at the Princeton University School of Architecture in 2014, and currently teaches at the School of Architecture of McGill University and Université de Montréal, and the Architectural Association, London. From 2011 to 2014, he was the associate director of programs at the CCA, Montréal. Gallanti served as the architecture editor at Abitare Magazine and as editor-in-chief of the Abitare website (2007-2011). Together with Francisca Insulza, Gallanti is the founding partner of the architectural research studio FIG Projects (2003-present), which curated the exhibition The World in Our Eyes (2016) for the 4th Lisbon Architecture Triennale.

The Contemporary is always over is hosting James T

The Contemporary is always over is hosting James Taylor-Foster tomorrow, Wednesday 7th of Oct at 6.30pm (AEST) for their informal talk series: Maybe there is architecture after ambiguity...?
- Join us! Zoom link via our bio...

The Contemporary is always over is hosting Pascal

The Contemporary is always over is hosting Pascal Flammer this Wednesday 30th of September at 7pm (AEST) for their informal talk series: Maybe there is architecture after ambiguity...? Flammer will be in conversation with Jack Gillbanks.
- Join us! Zoom link via our bio...

You are invited to QUARANTINE – David A. Garc

You are invited to QUARANTINE – David A. Garcia - a Zoom-based Public Lecture this Thursday 1st of October @ 6.30pm. Zoom link via our bio! This is the 5th Public Lecture in the UTS School of Architecture Spring 2020 Public Lecture Series.
.
QUARANTINE
From isolation of polluted landscapes to safety protocols to survive in the wild, Quarantine strategies are not only linked to pandemics and diseases. Methods of containment are directly related to architecture both in form and policy and surround us more often than we might imagine. This lecture navigates through a spectrum of experiments and investigations, stories and policies, which aim to highlight how architecture is often more linked to constrain, than freedom, to conditioning, than empowerment.  From virus protection to interplanetary contamination, join me for a short quarantine, and adventures of the contained.
.
David A. Garcia is an architect, educator and researcher. He is a graduate from The Bartlett School of Architecture and has worked at Foster and Partners and at Henning Larsen Architects until 2011. David has taught architecture internationally since 2003, and is today Associate Professor at the Royal Danish Art Academy School of Architecture (KADK) and director of the Master program “Architecture and Extreme Environments” since 2014. He is founder of the practice MAP Architects, which focuses on merging arts and sciences in innovating for design in extreme environments with active building projects in the Arctic. The practice publishes the annual pamphlet “MAP”.  David lectures and travels world-wide, testing thoughts in academic landscapes and experimental structures in extreme territories.

Image Credit: David A. Garcia

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EOYS UTS School of Architecture

EOYS UTS School of Architecture

All

Highlights

25

Undergraduate

20

Masters

21

Exhibitions

6

Lectures

28

Publications

16

Research

8

Archive

18

Who we are

Bachelor of Design in Architecture

Bachelor of Landscape Architecture

Bachelor of Design in Interior Architecture

Masters of Architecture

Masters of Landscape Architecture & Masters of Research in Landscape Architecture

Masters of Research in Architecture

PhD

This is the 2020 online End of the Year Show (EOYS) of the School of Architecture at UTS, UTS FOUND HERE / MAIL / NEWSLETTER

Instagram

UTS School of Architecture

702-730 Harris Street, Ultimo, NSW 2007.

T. +61 2 9514 8024

This is the 2020 online End of the Year Show (EOYS) of the School of Architecture at UTS, UTS FOUND HERE / MAIL / NEWSLETTER

Instagram

LIVE NOW: 2020 UTS School of Architecture End of Y

LIVE NOW: 2020 UTS School of Architecture End of Year Show

Join us now in celebrating the work of students from the School of Architecture.
You can take a virtual tour of over 200 projects from our students across all three disciplines:
· Architecture
· Landscape Architecture
· Interior Architecture

Event Details
Date: LAUNCHED TODAY! (19th NOVEMBER)
Time: NOW LIVE!
Where: utsschoolofarchitecture.com/ (link via bio)

Our online end of year show is coming... keep an e

Our online end of year show is coming... keep an eye out for more information 👀 thanks @numamerino for the amazing website! Thanks #nswarchitectsregistrationboard for the support

Please, join us to the digital Reviews of the Caps

Please, join us to the digital Reviews of the Capstone Studio at UTS on the 9th of November! See all Zoom links and times via our link in bio.

Our Capstone students have designed a “Post-labour University” to trigger responses on the spatial and systemic implications of removing work and/or the skills associated with it as the protagonists of the project of knowledge. This experiment is sited in Barangaroo Central, one of the most symbolic and contested urban scenarios of the city. An external jury will select the winner of the best Capstone project award 2020 sponsored by Billard Leece Partnership The result of the competition will be announced on Monday the 9th at 1 pm. @billardleece.

GOOD LUCK AND CONGRATULATIONS to all students and thank you to all the fantastic educators and technical consultants that made the subject possible!

Coordinators: Amaia Sánchez-Velasco and Miguel Rodríguez-Casellas @amaia.sanchezvelasco & @rodriguezcasellas

Tutors: Maria Cano Dominguez & Cameron Deynzer, Eleanor Peres, Charlie Curtin & Miguel Gilarte, Grace Dwyer & Tova Lubinsky, Ines Benavente Molina, Chris Raddatz & Jack Cooper, Lindsay Mulligan & Isaac Harrisson, Eduard Fernandez, and Marina Goncalves. @maribel.cd & @cameron.deynzer, @saucingrocks , @charles_curtin & @miguelgilarte, @graceldwyer & @tovalubinsky, Ines Benavente Molina, @chris.raddatz & @jakcoooper, @lindsay_mulligan & @zharrisson, @eduard.fdez , and @marina___goncalves.

Technical injection Lecturers: Ass.Prof. Leena Thomas and Dave Pigram @leena.e.thomas & @davepigram

Please, join us for the final jury of DOMESTICITY

Please, join us for the final jury of DOMESTICITY POST-WORK, an anti-think-tank structured around five pedagogical units that engage with a project of radical imagination at the convergence of (and in alliance with) decolonial, post-anthropocentric, feminist and queering epistemologies. DOMESTICITY POST-WORK is a provocation to trigger responses on the spatial and systemic implications of removing work from the epicentre of life. The domestic realm –previously understood as a space of restoration, and now forced to connect to a global network of remote hyper-productivity– is the space of experimentation in which to rehearse the new rituals, habits, and modes of engagement with the world; the political arena for a post-work society.

Negotiation and cooperation are not only concepts theoretically interrogated by the brief, but also a methodological tour-de-force implicit in the production of a single collective outcome per pedagogical unit.

Coordinated by Jorge Valiente Oriol @jorge.valienteoriol

Infinite thanks to all students and to the incredible team of educators behind this pedagogical experiment: Miguel Rodriguez-Casellas, Gonzalo Valiente, Grace Dwyer, Laura Touman, Maribel Cano Dominguez, Vina Purwantoro and Charles Curtin.

@rodriguezcasellas @valiente1672 @graceldwyer @laura2man @maribel.cd @charles_curtin @vinaurellia

We are all looking forward to welcoming our fantastic international panel formed by Amaia Sanchez-Velasco, Francesca Hughes, Ivan Lopez Munuera, Miguel Mesa del Castillo, Cristina Goberna, Azzurra Muzzonigro, Leandro Cappetto, Veronica Frances, Nahuel Quiroga, Andrea Muniain and Sammy Nazam.

@amaia.sanchezvelasco @francesca_hughes @ivanlmunuera @ivanlmunuera @cristinagobernapesudo @azzzmuzzz @grupotoma @andreamuniain @sammy__nazam

Presentations will start at 8:30 am (Sydney time) on Friday 6 November in the ZOOM ID 919 8495 2210.

Join us live for #UTSarchitecture #masterstudios #

Join us live for #UTSarchitecture #masterstudios #finalreviews #Spring2020 this Friday 6th of November. 🎉

Find the schedule in our website with the zoom links in the Bio. Enjoy the live feed of juries, conversations and controversies of the studios #SuperRoof by David Pigram @supermanoeuvre and Dane Voorderhake, #Apocalypsenow by Deborah Ascher Barnstone @deborahbarnstone,
#GrandCentral by Emma Letizia Jones @e_lettice,
@citiesundersurveillance by Endriana Audisho @endriana and Tova Lubinsky @tovalubinsky, #Anarchitectureofrelationality by Gerard Reinmuth @gerardreinmuth and Andrew Benjamin @andrewbenjamin9794, #WINGARA’BA’NYA by Jo Kinniburgh @jo.kinni and Shannon Foster @shannon_foster444, #Dirtytalks’2 by Miguel Rodríguez-Casellas @rodriguezcasellas, and #Urbanvariationthroughevolutionarycomputation by Mohammed Makki @wallacei.x @mssm.associates

Don’t miss it!

Today we will review the design projects of second

Today we will review the design projects of second year architecture! All welcome to join (majority of tutorials starting at 2pm)- Zoom links (with times) + Tutorial websites accessed via our link. Good luck second years!
.
Studio 04’s final review will schizophrenically move between student design projects and the collective studio deliverables of a virtual showroom, artifact and publication (all exhibited through a tutorial website). The brief asked students to design student housing on the TAFE Marcus Clark site. Each studio leader has defined a research question or thematic as a lens to design through. Design projects will be displayed within each tutorial and each tutorial will be ‘on show’ through a fair format. A fair is traditionally defined as a public event where goods from a particular industry are advertised and sold. Studio 04 is hacking this format, which usually caters for a capitalist logic, to showcase and disseminate ideas as opposed to the sale of goods. The fair will display alternative forms of living that challenge past and current student housing developments. 10 distinct showrooms (via websites) come together to formulate a ‘Housing Students’ domestic fair to explore the question; what does it mean to house a student today?
.
ENDRIANA AUDISHO [COORDINATOR] @endriana
W /
CHARLIE CHANNON [THE LEGACY OF GEN Z] @charliechannon
JACK COOPER [SOCIAL STUDENT HOUSING] @jakcoooper
ISAAC HARRISSON [COLLECTIVITY TOWARDS A ROOM OF ONE’S OWN] @zharrisson
TOVA LUBINSKY [A SEAT AT THE TABLE] @tovalubinsky
JOSHUA LYNCH [SEPARATION ANXIETY] @joshuadavidlynch
LINDA MATTHEWS [LE CORBUSIER’S DIGITAL TWIN]
BEATRICE MYATT [IN SICKNESS OR IN HEALTH] @beatricemyatt
GAVIN PERIN [CLOISTERS AND C/SELLS] @gavinperin
JENNA ROWE [MITIGATING LONELINESS + SOCIAL INCLUSION] @jenna_rowe
ANNA TONKIN [SOFT EFFICIENCIES] @annatonkin
.
📸 by @softefficiencies
.
#StudentHousing #Domestic #Speculation #Scale #Type #Context

You are invited to Architecture as Rendered Socie

You are invited to Architecture as Rendered Society - Andrés Jaque - a Webinar-based Public Lecture this Tuesday 3rd Nov from 6.30pm (AEST). This is the 9th Public Lecture in the UTS School of Architecture Spring 2020 Public Lecture Series. Registration link via our bio.

Architecture as Rendered Society
Architecture is never constrained to the scale at which we might first perceive it. It is in buildings’ imbrication with other entities (environments, infrastructures, financial plans, policies, biological designs, advocacies, and activism), in their transition across scales (climatic, material, technological, spatial, and temporal), and in their articulation of larger reality-making apparatuses (plans, discourses, ideas, calculations, regulations, genetics) that their political participation can be tracked and intervened in as they play their role in enacting our shared realities. Architecture’s agency is embedded in its capacity to exceed scale-containment.

Biography
Andrés Jaque is an architect, writer, and curator. He is the founder of the Office for Political Innovation, a New York/Madrid-based agency working at the intersection of research, critical environmental practices, and design. In 2016 he received the 10th Frederick Kiesler Prize celebrating trajectories in the intersection of art and architecture. He was also awarded Silver Lion for Best Research Project at the 2014 Venice Architecture Biennale, as well as the Dionisio Hernández-Gil Prize. In 2018 he co-curated Manifesta 12 in Palermo, titled The Planetary Garden. Cultivating Coexistence, which inquired into the ecological, technological, and political role Palermo has played, He is the Chief Curator of the upcoming 13th Shanghai Biennale, titled Bodies of Water.

Image: Colegio Reggio, Andrés Jaque, Office for Political Innovation

Paradise is a new online journal for Australian ar

Paradise is a new online journal for Australian architecture and research run by students of the UTS School of Architecture. Paradise is about Australia, the lucky country at the end of the world. It is a space for the unexpected and the emerging, the established academic and the bright-eyed underdog. It is both completely serious and totally naive. Paradise welcomes the discomfort of the agonistic multitude, the itchy immaterial condition of adjacency.

Paradise is seeking contributions for the inaugural theme of the Backyard.

"Through the fence palings what do you see? A well tended garden. A wild lawn. A glistening pool of water edged in blue tiles. Beyond our fence, a private party makes their way through a case of XXXX Gold. On the other side, the neighbour’s unwashed car sits atop a slab of sunbaked concrete. The faint sound of a sitar floats through on the wind from a few doors down. Through the back fence, only dust as far as the eye can see.

Good fences make good neighbours. You can tell a lot about a person by what their fence encloses, the privacy it protects. The beauty of a fence lies in its unassailable authority. Do what you want, just not in my Backyard. We claimed this patch of dirt with imaginary lines drawn with imported ink. We possessed this piece of Country by staking it out in timber posts.

The flames stopped right at our back fence. We are so lucky. This is our little piece of Paradise.

.

Paradise is generously supported by CreateNSW. All forms and formats of research are welcome - written or otherwise, built or intangible, discursive or poetic - so long as they are hostable online. Proposed contributions will be evaluated by the editorial board on the basis of 300 word abstract. The abstract should contain an indication of the content, length and format of the contribution, and include any relevant images or visuals. Abstracts should be sent as a .pdf to hello@paradise-journal.com.au, and include author’s name, professional/academic affiliation, email address, and contact number. Submissions close December 5, 2020.

@paradise.jrnl

Delve deep into the world of multi-criteria and co

Delve deep into the world of multi-criteria and complex design problem solving and explore the parametric approaches that drive environmentally and structurally sound architectural solutions.

The course will be hands-on, using a design exercise for an architectural canopy to explore the methods and systems that drive multi-criteria design approaches.

Course Name:
Advanced Digital Tools for Architectural Design and Structural Optimisation

Course Instructors:
Dr. Mohammed Makki @m_a_k_k_i
David Pigram @davepigram

Course Dates:
7th, 8th and 14th November 2020

Course Duration:
3 days

Course Award:
3 Credit Points

----

University of Technology Sydney’s School of Architecture is running a series of Micro-credentialed short courses in Advanced Digital Tools in Architecture and Design. Each course offers 3-Credit Points and will equip participants with knowledge and expertise in innovative and emerging digital tools.

Participants will gain relevant skills in the application of these tools within the design field allowing for their use in various parts of industry-based projects.

Visit open.uts.edu.au to learn more and to register for the course. Please note that all courses will be held face to face and on campus. Due to Covid-19 social distancing restrictions, seats are very limited – hurry up and register now!

#architecture #Design #shortcourses #Sydney #microcredential #Optimisation #Wallacei #Karamba #Ladybug #Canopy #StructuralAnalysis

Imaging software and video, when combined with urb

Imaging software and video, when combined with urban metadata, has the potential to deliver ground-breaking technical innovations for urban design. Created for urban planners, designers, architects, and landscape architects, this interdisciplinary course shows students how to combine new technologies to make sense of qualitative urban data, and apply it in design.

Course Name:
Urban Analytics and Digital Representation

Course Instructor:
Dr. Linda Matthews

Course Dates:
7th, 8th and 14th November 2020

Course Duration:
3 days

Course Award:
3 Credit Points

----

University of Technology Sydney’s School of Architecture is running a series of Micro-credentialed short courses in Advanced Digital Tools in Architecture and Design. Each course offers 3-Credit Points and will equip participants with knowledge and expertise in innovative and emerging digital tools. Participants will gain relevant skills in the application of these tools within the design field allowing for their use in various parts of industry-based projects.

Visit open.uts.edu.au to learn more and to register for the course. Please note that all courses will be held face to face and on campus. Due to Covid-19 social distancing restrictions, seats are very limited – hurry up and register now!

#architecture #Design #shortcourses #Sydney #microcredential #Urban #City #UrbanDesign
#CityDesign #Analytics #Imaging #Data

Consumer-level UAVs (drones) are now ubiquitous in

Consumer-level UAVs (drones) are now ubiquitous in society and the construction industry, but in Australia, their potential remains largely untapped. This course will provide a practical demonstration of how small, consumer-level UAVs can be integrated into various aspects of architectural and landscape architecture office practice.

Course Name:
Introduction to Drones for Built Environment Professionals

Course Instructor:
James Melsom @melsjames

Course Dates:
7th, 8th and 14th November 2020

Course Duration:
3 days

Course Award:
3 Credit Points

----

University of Technology Sydney’s School of Architecture is running a series of Micro-credentialed short courses in Advanced Digital Tools in Architecture and Design. Each course offers 3-Credit Points and will equip participants with knowledge and expertise in innovative and emerging digital tools. Participants will gain relevant skills in the application of these tools within the design field allowing for their use in various parts of industry-based projects.

Visit OPEN.UTS.EDU.AU to learn more and to register for the course. Please note that all courses will be held face to face and on campus. Due to Covid-19 social distancing restrictions, seats are very limited – hurry up and register now!

#architecture #Design #shortcourses #Sydney #microcredential #Drones #UAV #Landscape
#landscapearchitecture

You are invited to Other Things Visible on Paper

You are invited to Other Things Visible on Paper - Sarah Hearne - a Webinar-based Public Lecture this Thursday 29th Oct at 6.30pm AEST. This is the 8th Public Lecture in the UTS School of Architecture Spring 2020 Public Lecture Series. Zoom registration link via bio.

Other Things Visible on Paper
This lecture examines the ways in which the pedagogical milieu of the 1960s in the U.S., structured value in architecture by establishing distinctions between copyists and technicians on the one hand, and authors and conceptual designers on the other. Despite the apparent oppositions inferred by these pairings, these terms were bound up in a definition of technology that remained rooted in the mechanization of heavy industry. The focus obscured the growing number of unimposing yet specially designed items of everyday practice supplied to architects that were equally intrinsic to the rationalization of practice. These supplies—inks, pens, papers, films, erasers, lead cartridges, and tapes—were what I call “machines on the desk.” Despite the various ways in which manufacturers invested in ideas of diversification and innovation, precision, and systematization, these items were not widely understood as technological objects. It was precisely the fact that they did not appear to be technological, however, that enabled them, under the neutral guise of supplies, to operate as important yet invisible actors in the structuring of architectural authors in the studio—students who became authors exactly because of their ability to operate these 'machines'.

Biography
Sarah Hearne a curator and educator of architectural history and theory. Her curatorial work includes an exhibition and symposium on information management and display in contemporary architectural research, titled Fieldwork (2015) at the University of Technology Gallery in Sydney, where she was a History and Theory lecturer. She has also worked on curatorial projects including Everything Loose Will Land (MAK Center, 2013) and more recently as an Associate Curator on The Duck and the Document (Sci-Arc Gallery, 2017) and Architecture Itself and Other Myths of Postmodernism (Canadian Centre for Architecture, 2018).

The Contemporary is always over is hosting Charlot

The Contemporary is always over is hosting Charlotte Malterre-Barthes on Wednesday 21st October ‪at 18:30pm (AEST) ‬for their informal talk series: Maybe there is architecture after ambiguity...?
- Join us! Zoom link via our bio...

You are invited to Proving Grounds and Instrumenta

You are invited to Proving Grounds and Instrumental Architecture - Smout Allen - a Webinar-based Public Lecture next Thursday 22nd of October from 6.30pm (AEST). This is the 7th Public Lecture in the UTS School of Architecture Spring 2020 Public Lecture Series. Registration link through our bio.
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Smout Allen will present their iconoclastic work, through “speculative architecture and architectural instruments that explore borders, tectonics, cartography and ecology to document and expose intersections between nature and the manmade”.

Biography
Mark Smout and Laura Allen jointly run the design research practice, Smout Allen, where they explore the intersections and interactions of landscape, architecture, art, and science.
They have been selected for both Venice Biennale (2012 and 2016) and Chicago Biennale (2015). In 2005, they won the Summer Exhibition Award for Architecture at the Royal Academy of Arts. They have successfully carried out collaborations with international individuals and institutions such as the University of Southern California Libraries, Williams F1 Advanced Engineering, the Centre for Land Use Interpretation (CLUI), Los Angeles, the British Council and the Land Art Archive, Nevada. Since 2010 they have regularly worked in collaboration with Geoff Manaugh, developing projects including L.A.T.B.D. for the Chicago Biennial and University of Southern California, and the “British Exploratory Land Archive”.
They are both Professors at The Bartlett School of Architecture, UCL, where they run MArch Unit 11 and are Co-Directors of the Landscape Architecture Programmes.

Image Credit: “L.A. Recalculated at the Chicago Architecture Biennial, 2015, with Geoff Manaugh”

Master of Architecture students have been explorin

Master of Architecture students have been exploring Advocacy as a Project. As emerging voices in the discipline students will present their advocacy proposals - what is their contemporary topic of advocacy? What are the tools needed to facilitate this project and what are the means of distribution? Join us for their PechaKucha presentations tomorrow, Thursday 15th of Oct, from 9AM (AEST). Zoom link via our bio 🤩 Good luck to all the students
.
Coordinators: Brooke Jackson & Endriana Audisho
Tutors: Tova Lubinsky & Amaia Sanchez-Velasco

The Contemporary is always over is hosting Ambra F

The Contemporary is always over is hosting Ambra Fabi (PIOVENEFABI) tomorrow, Wednesday 14th of Oct at 7pm (AEST) for their informal talk series: Maybe there is architecture after ambiguity...?
- Join us! Zoom link via our bio...

You are invited to Hunter gatherer. How FIG Projec

You are invited to Hunter gatherer. How FIG Projects wander the land of architecture online. - Fabrizio Gallanti - a Webinar-based Public Lecture this Thursday 15th Oct from 6.30pm (AEST). This is the 6th Public Lecture in the UTS School of Architecture Spring 2020 Public Lecture Series. Register through the zoom link via our bio.
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Hunter gatherer. How FIG Projects wander the land of architecture online.
FIG Projects, founded by Fabrizio Gallanti and Francisca Insulza in 2003, is a research studio, based in Montréal, that writes, studies, curates and designs. Since 2014, it scavenges the deep recesses of archives, popular culture depositories, personal blogs, memories, whether analog or digital, to then regurgitate predigested content to an expanding audience of "friends on Facebook". Architecture is the main field of interest, but curiosity brings us to many other places. The only rule of play, is to find the stuff we like and suggest others to try it too.
.
Fabrizio Gallanti is a curator and architect with experience in architectural design, education, publication and exhibitions. In the fall of 2020 he will start as director of arc en rêve in Bordeaux. He holds a PhD in architectural design from the Politecnico di Torino (2001) and has taught in Canada, Chile, Hong Kong, Italy, the United Kingdom and the United States. He was the first Senior Mellon Fellow at the Princeton University School of Architecture in 2014, and currently teaches at the School of Architecture of McGill University and Université de Montréal, and the Architectural Association, London. From 2011 to 2014, he was the associate director of programs at the CCA, Montréal. Gallanti served as the architecture editor at Abitare Magazine and as editor-in-chief of the Abitare website (2007-2011). Together with Francisca Insulza, Gallanti is the founding partner of the architectural research studio FIG Projects (2003-present), which curated the exhibition The World in Our Eyes (2016) for the 4th Lisbon Architecture Triennale.

The Contemporary is always over is hosting James T

The Contemporary is always over is hosting James Taylor-Foster tomorrow, Wednesday 7th of Oct at 6.30pm (AEST) for their informal talk series: Maybe there is architecture after ambiguity...?
- Join us! Zoom link via our bio...

The Contemporary is always over is hosting Pascal

The Contemporary is always over is hosting Pascal Flammer this Wednesday 30th of September at 7pm (AEST) for their informal talk series: Maybe there is architecture after ambiguity...? Flammer will be in conversation with Jack Gillbanks.
- Join us! Zoom link via our bio...

You are invited to QUARANTINE – David A. Garc

You are invited to QUARANTINE – David A. Garcia - a Zoom-based Public Lecture this Thursday 1st of October @ 6.30pm. Zoom link via our bio! This is the 5th Public Lecture in the UTS School of Architecture Spring 2020 Public Lecture Series.
.
QUARANTINE
From isolation of polluted landscapes to safety protocols to survive in the wild, Quarantine strategies are not only linked to pandemics and diseases. Methods of containment are directly related to architecture both in form and policy and surround us more often than we might imagine. This lecture navigates through a spectrum of experiments and investigations, stories and policies, which aim to highlight how architecture is often more linked to constrain, than freedom, to conditioning, than empowerment.  From virus protection to interplanetary contamination, join me for a short quarantine, and adventures of the contained.
.
David A. Garcia is an architect, educator and researcher. He is a graduate from The Bartlett School of Architecture and has worked at Foster and Partners and at Henning Larsen Architects until 2011. David has taught architecture internationally since 2003, and is today Associate Professor at the Royal Danish Art Academy School of Architecture (KADK) and director of the Master program “Architecture and Extreme Environments” since 2014. He is founder of the practice MAP Architects, which focuses on merging arts and sciences in innovating for design in extreme environments with active building projects in the Arctic. The practice publishes the annual pamphlet “MAP”.  David lectures and travels world-wide, testing thoughts in academic landscapes and experimental structures in extreme territories.

Image Credit: David A. Garcia

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EOYS UTS School of Architecture

EOYS UTS School of Architecture

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Highlights

25

Undergraduate

20

Masters

21

Exhibitions

6

Lectures

28

Publications

16

Research

8

Archive

18

Who we are

Bachelor of Design in Architecture

Bachelor of Landscape Architecture

Bachelor of Design in Interior Architecture

Masters of Architecture

Masters of Landscape Architecture & Masters of Research in Landscape Architecture

Masters of Research in Architecture

PhD

This is the 2020 online End of the Year Show (EOYS) of the School of Architecture at UTS, UTS FOUND HERE / MAIL / NEWSLETTER

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UTS School of Architecture

702-730 Harris Street, Ultimo, NSW 2007.

T. +61 2 9514 8024

Highlights

25

Undergraduate

20

Masters

21

Exhibitions

6

Lectures

28

Publications

16

Research

8

Archive

18

All

Search

Lectures Beirut from a Distance June 20th 6:59 AM

Undergraduate Landscape – Murrin Bridge past Present Future Planting November 6th 9:44 AM

Highlights An Ode to Ashfield – Marni Reti and Adelaide Lehmann November 6th 5:55 AM

Masters Architecture – Domestic Formalities June 19th 3:59 AM

Undergraduate Interior – Inhabitations November 6th 1:45 AM

Undergraduate Landscape – Legends for Reconstructing the Burnt Forest June 19th 10:57 PM

Research Master – (In)Security: Surveillance, Territory and Re-bordering Architecture New spatial and material frontiers of migration and war October 23rd 3:06 AM

Highlights Extremophiles of the McMurdo Dry Valleys – Patrick Fitz-Hayes and Georgia Jamieson November 6th 10:28 AM

Undergraduate Interior – Performative Spaces June 19th 2:22 AM

Lectures Sarah Hearne – Other Things Visible on Paper October 29th 4:28 AM

View more

This is the 2020 online End of the Year Show (EOYS) of the School of Architecture at UTS, UTS FOUND HERE / MAIL / NEWSLETTER

Instagram

LIVE NOW: 2020 UTS School of Architecture End of Y

LIVE NOW: 2020 UTS School of Architecture End of Year Show

Join us now in celebrating the work of students from the School of Architecture.
You can take a virtual tour of over 200 projects from our students across all three disciplines:
· Architecture
· Landscape Architecture
· Interior Architecture

Event Details
Date: LAUNCHED TODAY! (19th NOVEMBER)
Time: NOW LIVE!
Where: utsschoolofarchitecture.com/ (link via bio)

Our online end of year show is coming... keep an e

Our online end of year show is coming... keep an eye out for more information 👀 thanks @numamerino for the amazing website! Thanks #nswarchitectsregistrationboard for the support

Please, join us to the digital Reviews of the Caps

Please, join us to the digital Reviews of the Capstone Studio at UTS on the 9th of November! See all Zoom links and times via our link in bio.

Our Capstone students have designed a “Post-labour University” to trigger responses on the spatial and systemic implications of removing work and/or the skills associated with it as the protagonists of the project of knowledge. This experiment is sited in Barangaroo Central, one of the most symbolic and contested urban scenarios of the city. An external jury will select the winner of the best Capstone project award 2020 sponsored by Billard Leece Partnership The result of the competition will be announced on Monday the 9th at 1 pm. @billardleece.

GOOD LUCK AND CONGRATULATIONS to all students and thank you to all the fantastic educators and technical consultants that made the subject possible!

Coordinators: Amaia Sánchez-Velasco and Miguel Rodríguez-Casellas @amaia.sanchezvelasco & @rodriguezcasellas

Tutors: Maria Cano Dominguez & Cameron Deynzer, Eleanor Peres, Charlie Curtin & Miguel Gilarte, Grace Dwyer & Tova Lubinsky, Ines Benavente Molina, Chris Raddatz & Jack Cooper, Lindsay Mulligan & Isaac Harrisson, Eduard Fernandez, and Marina Goncalves. @maribel.cd & @cameron.deynzer, @saucingrocks , @charles_curtin & @miguelgilarte, @graceldwyer & @tovalubinsky, Ines Benavente Molina, @chris.raddatz & @jakcoooper, @lindsay_mulligan & @zharrisson, @eduard.fdez , and @marina___goncalves.

Technical injection Lecturers: Ass.Prof. Leena Thomas and Dave Pigram @leena.e.thomas & @davepigram

Please, join us for the final jury of DOMESTICITY

Please, join us for the final jury of DOMESTICITY POST-WORK, an anti-think-tank structured around five pedagogical units that engage with a project of radical imagination at the convergence of (and in alliance with) decolonial, post-anthropocentric, feminist and queering epistemologies. DOMESTICITY POST-WORK is a provocation to trigger responses on the spatial and systemic implications of removing work from the epicentre of life. The domestic realm –previously understood as a space of restoration, and now forced to connect to a global network of remote hyper-productivity– is the space of experimentation in which to rehearse the new rituals, habits, and modes of engagement with the world; the political arena for a post-work society.

Negotiation and cooperation are not only concepts theoretically interrogated by the brief, but also a methodological tour-de-force implicit in the production of a single collective outcome per pedagogical unit.

Coordinated by Jorge Valiente Oriol @jorge.valienteoriol

Infinite thanks to all students and to the incredible team of educators behind this pedagogical experiment: Miguel Rodriguez-Casellas, Gonzalo Valiente, Grace Dwyer, Laura Touman, Maribel Cano Dominguez, Vina Purwantoro and Charles Curtin.

@rodriguezcasellas @valiente1672 @graceldwyer @laura2man @maribel.cd @charles_curtin @vinaurellia

We are all looking forward to welcoming our fantastic international panel formed by Amaia Sanchez-Velasco, Francesca Hughes, Ivan Lopez Munuera, Miguel Mesa del Castillo, Cristina Goberna, Azzurra Muzzonigro, Leandro Cappetto, Veronica Frances, Nahuel Quiroga, Andrea Muniain and Sammy Nazam.

@amaia.sanchezvelasco @francesca_hughes @ivanlmunuera @ivanlmunuera @cristinagobernapesudo @azzzmuzzz @grupotoma @andreamuniain @sammy__nazam

Presentations will start at 8:30 am (Sydney time) on Friday 6 November in the ZOOM ID 919 8495 2210.

Join us live for #UTSarchitecture #masterstudios #

Join us live for #UTSarchitecture #masterstudios #finalreviews #Spring2020 this Friday 6th of November. 🎉

Find the schedule in our website with the zoom links in the Bio. Enjoy the live feed of juries, conversations and controversies of the studios #SuperRoof by David Pigram @supermanoeuvre and Dane Voorderhake, #Apocalypsenow by Deborah Ascher Barnstone @deborahbarnstone,
#GrandCentral by Emma Letizia Jones @e_lettice,
@citiesundersurveillance by Endriana Audisho @endriana and Tova Lubinsky @tovalubinsky, #Anarchitectureofrelationality by Gerard Reinmuth @gerardreinmuth and Andrew Benjamin @andrewbenjamin9794, #WINGARA’BA’NYA by Jo Kinniburgh @jo.kinni and Shannon Foster @shannon_foster444, #Dirtytalks’2 by Miguel Rodríguez-Casellas @rodriguezcasellas, and #Urbanvariationthroughevolutionarycomputation by Mohammed Makki @wallacei.x @mssm.associates

Don’t miss it!

Today we will review the design projects of second

Today we will review the design projects of second year architecture! All welcome to join (majority of tutorials starting at 2pm)- Zoom links (with times) + Tutorial websites accessed via our link. Good luck second years!
.
Studio 04’s final review will schizophrenically move between student design projects and the collective studio deliverables of a virtual showroom, artifact and publication (all exhibited through a tutorial website). The brief asked students to design student housing on the TAFE Marcus Clark site. Each studio leader has defined a research question or thematic as a lens to design through. Design projects will be displayed within each tutorial and each tutorial will be ‘on show’ through a fair format. A fair is traditionally defined as a public event where goods from a particular industry are advertised and sold. Studio 04 is hacking this format, which usually caters for a capitalist logic, to showcase and disseminate ideas as opposed to the sale of goods. The fair will display alternative forms of living that challenge past and current student housing developments. 10 distinct showrooms (via websites) come together to formulate a ‘Housing Students’ domestic fair to explore the question; what does it mean to house a student today?
.
ENDRIANA AUDISHO [COORDINATOR] @endriana
W /
CHARLIE CHANNON [THE LEGACY OF GEN Z] @charliechannon
JACK COOPER [SOCIAL STUDENT HOUSING] @jakcoooper
ISAAC HARRISSON [COLLECTIVITY TOWARDS A ROOM OF ONE’S OWN] @zharrisson
TOVA LUBINSKY [A SEAT AT THE TABLE] @tovalubinsky
JOSHUA LYNCH [SEPARATION ANXIETY] @joshuadavidlynch
LINDA MATTHEWS [LE CORBUSIER’S DIGITAL TWIN]
BEATRICE MYATT [IN SICKNESS OR IN HEALTH] @beatricemyatt
GAVIN PERIN [CLOISTERS AND C/SELLS] @gavinperin
JENNA ROWE [MITIGATING LONELINESS + SOCIAL INCLUSION] @jenna_rowe
ANNA TONKIN [SOFT EFFICIENCIES] @annatonkin
.
📸 by @softefficiencies
.
#StudentHousing #Domestic #Speculation #Scale #Type #Context

You are invited to Architecture as Rendered Socie

You are invited to Architecture as Rendered Society - Andrés Jaque - a Webinar-based Public Lecture this Tuesday 3rd Nov from 6.30pm (AEST). This is the 9th Public Lecture in the UTS School of Architecture Spring 2020 Public Lecture Series. Registration link via our bio.

Architecture as Rendered Society
Architecture is never constrained to the scale at which we might first perceive it. It is in buildings’ imbrication with other entities (environments, infrastructures, financial plans, policies, biological designs, advocacies, and activism), in their transition across scales (climatic, material, technological, spatial, and temporal), and in their articulation of larger reality-making apparatuses (plans, discourses, ideas, calculations, regulations, genetics) that their political participation can be tracked and intervened in as they play their role in enacting our shared realities. Architecture’s agency is embedded in its capacity to exceed scale-containment.

Biography
Andrés Jaque is an architect, writer, and curator. He is the founder of the Office for Political Innovation, a New York/Madrid-based agency working at the intersection of research, critical environmental practices, and design. In 2016 he received the 10th Frederick Kiesler Prize celebrating trajectories in the intersection of art and architecture. He was also awarded Silver Lion for Best Research Project at the 2014 Venice Architecture Biennale, as well as the Dionisio Hernández-Gil Prize. In 2018 he co-curated Manifesta 12 in Palermo, titled The Planetary Garden. Cultivating Coexistence, which inquired into the ecological, technological, and political role Palermo has played, He is the Chief Curator of the upcoming 13th Shanghai Biennale, titled Bodies of Water.

Image: Colegio Reggio, Andrés Jaque, Office for Political Innovation

Paradise is a new online journal for Australian ar

Paradise is a new online journal for Australian architecture and research run by students of the UTS School of Architecture. Paradise is about Australia, the lucky country at the end of the world. It is a space for the unexpected and the emerging, the established academic and the bright-eyed underdog. It is both completely serious and totally naive. Paradise welcomes the discomfort of the agonistic multitude, the itchy immaterial condition of adjacency.

Paradise is seeking contributions for the inaugural theme of the Backyard.

"Through the fence palings what do you see? A well tended garden. A wild lawn. A glistening pool of water edged in blue tiles. Beyond our fence, a private party makes their way through a case of XXXX Gold. On the other side, the neighbour’s unwashed car sits atop a slab of sunbaked concrete. The faint sound of a sitar floats through on the wind from a few doors down. Through the back fence, only dust as far as the eye can see.

Good fences make good neighbours. You can tell a lot about a person by what their fence encloses, the privacy it protects. The beauty of a fence lies in its unassailable authority. Do what you want, just not in my Backyard. We claimed this patch of dirt with imaginary lines drawn with imported ink. We possessed this piece of Country by staking it out in timber posts.

The flames stopped right at our back fence. We are so lucky. This is our little piece of Paradise.

.

Paradise is generously supported by CreateNSW. All forms and formats of research are welcome - written or otherwise, built or intangible, discursive or poetic - so long as they are hostable online. Proposed contributions will be evaluated by the editorial board on the basis of 300 word abstract. The abstract should contain an indication of the content, length and format of the contribution, and include any relevant images or visuals. Abstracts should be sent as a .pdf to hello@paradise-journal.com.au, and include author’s name, professional/academic affiliation, email address, and contact number. Submissions close December 5, 2020.

@paradise.jrnl

Delve deep into the world of multi-criteria and co

Delve deep into the world of multi-criteria and complex design problem solving and explore the parametric approaches that drive environmentally and structurally sound architectural solutions.

The course will be hands-on, using a design exercise for an architectural canopy to explore the methods and systems that drive multi-criteria design approaches.

Course Name:
Advanced Digital Tools for Architectural Design and Structural Optimisation

Course Instructors:
Dr. Mohammed Makki @m_a_k_k_i
David Pigram @davepigram

Course Dates:
7th, 8th and 14th November 2020

Course Duration:
3 days

Course Award:
3 Credit Points

----

University of Technology Sydney’s School of Architecture is running a series of Micro-credentialed short courses in Advanced Digital Tools in Architecture and Design. Each course offers 3-Credit Points and will equip participants with knowledge and expertise in innovative and emerging digital tools.

Participants will gain relevant skills in the application of these tools within the design field allowing for their use in various parts of industry-based projects.

Visit open.uts.edu.au to learn more and to register for the course. Please note that all courses will be held face to face and on campus. Due to Covid-19 social distancing restrictions, seats are very limited – hurry up and register now!

#architecture #Design #shortcourses #Sydney #microcredential #Optimisation #Wallacei #Karamba #Ladybug #Canopy #StructuralAnalysis

Imaging software and video, when combined with urb

Imaging software and video, when combined with urban metadata, has the potential to deliver ground-breaking technical innovations for urban design. Created for urban planners, designers, architects, and landscape architects, this interdisciplinary course shows students how to combine new technologies to make sense of qualitative urban data, and apply it in design.

Course Name:
Urban Analytics and Digital Representation

Course Instructor:
Dr. Linda Matthews

Course Dates:
7th, 8th and 14th November 2020

Course Duration:
3 days

Course Award:
3 Credit Points

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University of Technology Sydney’s School of Architecture is running a series of Micro-credentialed short courses in Advanced Digital Tools in Architecture and Design. Each course offers 3-Credit Points and will equip participants with knowledge and expertise in innovative and emerging digital tools. Participants will gain relevant skills in the application of these tools within the design field allowing for their use in various parts of industry-based projects.

Visit open.uts.edu.au to learn more and to register for the course. Please note that all courses will be held face to face and on campus. Due to Covid-19 social distancing restrictions, seats are very limited – hurry up and register now!

#architecture #Design #shortcourses #Sydney #microcredential #Urban #City #UrbanDesign
#CityDesign #Analytics #Imaging #Data

Consumer-level UAVs (drones) are now ubiquitous in

Consumer-level UAVs (drones) are now ubiquitous in society and the construction industry, but in Australia, their potential remains largely untapped. This course will provide a practical demonstration of how small, consumer-level UAVs can be integrated into various aspects of architectural and landscape architecture office practice.

Course Name:
Introduction to Drones for Built Environment Professionals

Course Instructor:
James Melsom @melsjames

Course Dates:
7th, 8th and 14th November 2020

Course Duration:
3 days

Course Award:
3 Credit Points

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University of Technology Sydney’s School of Architecture is running a series of Micro-credentialed short courses in Advanced Digital Tools in Architecture and Design. Each course offers 3-Credit Points and will equip participants with knowledge and expertise in innovative and emerging digital tools. Participants will gain relevant skills in the application of these tools within the design field allowing for their use in various parts of industry-based projects.

Visit OPEN.UTS.EDU.AU to learn more and to register for the course. Please note that all courses will be held face to face and on campus. Due to Covid-19 social distancing restrictions, seats are very limited – hurry up and register now!

#architecture #Design #shortcourses #Sydney #microcredential #Drones #UAV #Landscape
#landscapearchitecture

You are invited to Other Things Visible on Paper

You are invited to Other Things Visible on Paper - Sarah Hearne - a Webinar-based Public Lecture this Thursday 29th Oct at 6.30pm AEST. This is the 8th Public Lecture in the UTS School of Architecture Spring 2020 Public Lecture Series. Zoom registration link via bio.

Other Things Visible on Paper
This lecture examines the ways in which the pedagogical milieu of the 1960s in the U.S., structured value in architecture by establishing distinctions between copyists and technicians on the one hand, and authors and conceptual designers on the other. Despite the apparent oppositions inferred by these pairings, these terms were bound up in a definition of technology that remained rooted in the mechanization of heavy industry. The focus obscured the growing number of unimposing yet specially designed items of everyday practice supplied to architects that were equally intrinsic to the rationalization of practice. These supplies—inks, pens, papers, films, erasers, lead cartridges, and tapes—were what I call “machines on the desk.” Despite the various ways in which manufacturers invested in ideas of diversification and innovation, precision, and systematization, these items were not widely understood as technological objects. It was precisely the fact that they did not appear to be technological, however, that enabled them, under the neutral guise of supplies, to operate as important yet invisible actors in the structuring of architectural authors in the studio—students who became authors exactly because of their ability to operate these 'machines'.

Biography
Sarah Hearne a curator and educator of architectural history and theory. Her curatorial work includes an exhibition and symposium on information management and display in contemporary architectural research, titled Fieldwork (2015) at the University of Technology Gallery in Sydney, where she was a History and Theory lecturer. She has also worked on curatorial projects including Everything Loose Will Land (MAK Center, 2013) and more recently as an Associate Curator on The Duck and the Document (Sci-Arc Gallery, 2017) and Architecture Itself and Other Myths of Postmodernism (Canadian Centre for Architecture, 2018).

The Contemporary is always over is hosting Charlot

The Contemporary is always over is hosting Charlotte Malterre-Barthes on Wednesday 21st October ‪at 18:30pm (AEST) ‬for their informal talk series: Maybe there is architecture after ambiguity...?
- Join us! Zoom link via our bio...

You are invited to Proving Grounds and Instrumenta

You are invited to Proving Grounds and Instrumental Architecture - Smout Allen - a Webinar-based Public Lecture next Thursday 22nd of October from 6.30pm (AEST). This is the 7th Public Lecture in the UTS School of Architecture Spring 2020 Public Lecture Series. Registration link through our bio.
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Smout Allen will present their iconoclastic work, through “speculative architecture and architectural instruments that explore borders, tectonics, cartography and ecology to document and expose intersections between nature and the manmade”.

Biography
Mark Smout and Laura Allen jointly run the design research practice, Smout Allen, where they explore the intersections and interactions of landscape, architecture, art, and science.
They have been selected for both Venice Biennale (2012 and 2016) and Chicago Biennale (2015). In 2005, they won the Summer Exhibition Award for Architecture at the Royal Academy of Arts. They have successfully carried out collaborations with international individuals and institutions such as the University of Southern California Libraries, Williams F1 Advanced Engineering, the Centre for Land Use Interpretation (CLUI), Los Angeles, the British Council and the Land Art Archive, Nevada. Since 2010 they have regularly worked in collaboration with Geoff Manaugh, developing projects including L.A.T.B.D. for the Chicago Biennial and University of Southern California, and the “British Exploratory Land Archive”.
They are both Professors at The Bartlett School of Architecture, UCL, where they run MArch Unit 11 and are Co-Directors of the Landscape Architecture Programmes.

Image Credit: “L.A. Recalculated at the Chicago Architecture Biennial, 2015, with Geoff Manaugh”

Master of Architecture students have been explorin

Master of Architecture students have been exploring Advocacy as a Project. As emerging voices in the discipline students will present their advocacy proposals - what is their contemporary topic of advocacy? What are the tools needed to facilitate this project and what are the means of distribution? Join us for their PechaKucha presentations tomorrow, Thursday 15th of Oct, from 9AM (AEST). Zoom link via our bio 🤩 Good luck to all the students
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Coordinators: Brooke Jackson & Endriana Audisho
Tutors: Tova Lubinsky & Amaia Sanchez-Velasco

The Contemporary is always over is hosting Ambra F

The Contemporary is always over is hosting Ambra Fabi (PIOVENEFABI) tomorrow, Wednesday 14th of Oct at 7pm (AEST) for their informal talk series: Maybe there is architecture after ambiguity...?
- Join us! Zoom link via our bio...

You are invited to Hunter gatherer. How FIG Projec

You are invited to Hunter gatherer. How FIG Projects wander the land of architecture online. - Fabrizio Gallanti - a Webinar-based Public Lecture this Thursday 15th Oct from 6.30pm (AEST). This is the 6th Public Lecture in the UTS School of Architecture Spring 2020 Public Lecture Series. Register through the zoom link via our bio.
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Hunter gatherer. How FIG Projects wander the land of architecture online.
FIG Projects, founded by Fabrizio Gallanti and Francisca Insulza in 2003, is a research studio, based in Montréal, that writes, studies, curates and designs. Since 2014, it scavenges the deep recesses of archives, popular culture depositories, personal blogs, memories, whether analog or digital, to then regurgitate predigested content to an expanding audience of "friends on Facebook". Architecture is the main field of interest, but curiosity brings us to many other places. The only rule of play, is to find the stuff we like and suggest others to try it too.
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Fabrizio Gallanti is a curator and architect with experience in architectural design, education, publication and exhibitions. In the fall of 2020 he will start as director of arc en rêve in Bordeaux. He holds a PhD in architectural design from the Politecnico di Torino (2001) and has taught in Canada, Chile, Hong Kong, Italy, the United Kingdom and the United States. He was the first Senior Mellon Fellow at the Princeton University School of Architecture in 2014, and currently teaches at the School of Architecture of McGill University and Université de Montréal, and the Architectural Association, London. From 2011 to 2014, he was the associate director of programs at the CCA, Montréal. Gallanti served as the architecture editor at Abitare Magazine and as editor-in-chief of the Abitare website (2007-2011). Together with Francisca Insulza, Gallanti is the founding partner of the architectural research studio FIG Projects (2003-present), which curated the exhibition The World in Our Eyes (2016) for the 4th Lisbon Architecture Triennale.

The Contemporary is always over is hosting James T

The Contemporary is always over is hosting James Taylor-Foster tomorrow, Wednesday 7th of Oct at 6.30pm (AEST) for their informal talk series: Maybe there is architecture after ambiguity...?
- Join us! Zoom link via our bio...

The Contemporary is always over is hosting Pascal

The Contemporary is always over is hosting Pascal Flammer this Wednesday 30th of September at 7pm (AEST) for their informal talk series: Maybe there is architecture after ambiguity...? Flammer will be in conversation with Jack Gillbanks.
- Join us! Zoom link via our bio...

You are invited to QUARANTINE – David A. Garc

You are invited to QUARANTINE – David A. Garcia - a Zoom-based Public Lecture this Thursday 1st of October @ 6.30pm. Zoom link via our bio! This is the 5th Public Lecture in the UTS School of Architecture Spring 2020 Public Lecture Series.
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QUARANTINE
From isolation of polluted landscapes to safety protocols to survive in the wild, Quarantine strategies are not only linked to pandemics and diseases. Methods of containment are directly related to architecture both in form and policy and surround us more often than we might imagine. This lecture navigates through a spectrum of experiments and investigations, stories and policies, which aim to highlight how architecture is often more linked to constrain, than freedom, to conditioning, than empowerment.  From virus protection to interplanetary contamination, join me for a short quarantine, and adventures of the contained.
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David A. Garcia is an architect, educator and researcher. He is a graduate from The Bartlett School of Architecture and has worked at Foster and Partners and at Henning Larsen Architects until 2011. David has taught architecture internationally since 2003, and is today Associate Professor at the Royal Danish Art Academy School of Architecture (KADK) and director of the Master program “Architecture and Extreme Environments” since 2014. He is founder of the practice MAP Architects, which focuses on merging arts and sciences in innovating for design in extreme environments with active building projects in the Arctic. The practice publishes the annual pamphlet “MAP”.  David lectures and travels world-wide, testing thoughts in academic landscapes and experimental structures in extreme territories.

Image Credit: David A. Garcia

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EOYS UTS School of Architecture

EOYS UTS School of Architecture

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Highlights

25

Undergraduate

20

Masters

21

Exhibitions

6

Lectures

28

Publications

16

Research

8

Archive

18

Who we are

Bachelor of Design in Architecture

Bachelor of Landscape Architecture

Bachelor of Design in Interior Architecture

Masters of Architecture

Masters of Landscape Architecture & Masters of Research in Landscape Architecture

Masters of Research in Architecture

PhD

This is the 2020 online End of the Year Show (EOYS) of the School of Architecture at UTS, UTS FOUND HERE / MAIL / NEWSLETTER

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UTS School of Architecture

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T. +61 2 9514 8024

Publications June 19th 2020

Paradoxes of War Critique on Display: The Dresden Bundeswehr Museum of Military History

‘Paradoxes of War Critique on Display: The Dresden Bundeswehr Museum of Military History,’ Australia and New Zealand Journal of Art, 20:1 (2020), Deborah Ascher Barnstone.

Although the Dresden Bundeswehr Museum of Military History reopened in 2011 dedicated to a “critical, differentiated and honest confrontation with military, war and violence,” the conflicting readings of Daniel Libeskind’s aggressive architectural addition, and the exhibitions installed in it, call into question the ability of any museum to mount an effective critique of war. The enormous perforated steel wedge penetrates the old neoclassical building, disrupting its traditional symmetry and adding open, light spaces by breaking through and splitting open the host structure. The transparent new building was intended as a symbolic foil to the opacity of the older one dating to Germany’s authoritarian past thereby signifying democratic openness and the new role of the military in contemporary, unified Germany. In this way, the building played upon familiar symbolic tropes active in West Germany since 1949 and in unified German since 1990 that set openness, accessibility, and transparency against exclusivity, closed plan, and opacity. The addition intentionally dealt in such oppositions pitting the dynamic new architecture with the static existing structure. The tension between the violent but aesthetically beautiful architectural gesture and the design’s intentions highlights the challenges facing the museum.

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